Sometimes I feel so low-down and disgusted
Can't help but wonder what's happenin' to my companions,
Are they lost or are they found, have they counted the cost it'll take to bring
down
All their earthly principles they're gonna have to abandon?
Who knew a song written nearly 30 years ago would be so relevant three decades later? I don't think any of us would put it past Bob Dylan.
Now, the last I want to do is knock the arts. Artistic expression—in whatever form it bubbles to surface—is something that should be praised, protected and preserved.
So why am I out to tear the arts a new one? Because there is a slow train coming, my fellow Disgruntled Dylanologists, and it ain’t running on coal—it’s running on oil.The future is bright in the Persian Gulf. The horizon, it seems, is even brighter. Because in the months to come, oil derricks won’t be the only structures rising up from the white-hot Arabian sands.
In the last year alone, nearly every member of OPEC has commissioned a ‘cultural arts’ center. Shining, sparkling, glowing celebrations of the world’s artistic heritage in a land formerly awash in sand dunes.
First, there’s the King Abdulaziz Center, a sprawling, 400-acre
compound consisting of a museum, library, theater, cinema and more. And here’s the best part… the whole thing is dedicated to one, singular objective: The history of oil in Saudi Arabia. This, of course, makes complete sense when you consider who’s footing the bill—Saudi Aramco, the world’s largest oil company.
And then there’s the newly-commissioned Louvre Abu Dhabi, set to open sometime in 2012. Let’s be honest. Most of the world couldn’t find Abu Dhabi on a map if they tried. And while the city has been in existence for nearly 3,000 years, it wasn’t even on the map until 1958. Guess what they found in 1958? (HINT: What’s black and gold and greases the palms of politicians the world over?)
No museum, however, is more impressive than the Museum of Islamic Art, which opened last week in Qatar. But it isn’t what the Museum of Islamic Art houses that’s so impressive— it’s where it houses them.One of the guidelines for the project enacted by world-renowned architect I.M. Pei was that his 376,740-sq.-ft. museum rise from its own island in the Arabian Gulf in Doha Qatar. An island in the middle of an Arabian oasis. It drips with irony, not to mention $1.6 billion in oil money.
Listen, I’m not coming down on the OPEC nations for wanting to celebrate the arts. And I’m certainly not criticizing them for wanting to preserve their own cultural heritage. The fact that anyone is willing, much less able, to make an investment in the arts in this day and age is something we should all stand up and take note of. And that’s precisely my point…
A large part of the reason that arts funding is being cut faster than a punk in a back alley knife fight in America and abroad is that the world economy is in shambles. Money that should be spent on schools, roads, education, and the arts is being siphoned off at an alarming rate to fund a war to protect the countries who are crippling us in the first place.
I guess there’s an upside to the fact that Saudi Arabia, Abu Dhabi and Qatar are building monuments while the rest of the world build ships and boats. At least we’ll know everything that’s important to us will be safe when the deal goes down.
The irony, of course, is that we certainly had plenty of forewarning. Bob saw that slow train coming nearly 30 years ago...
All that foreign oil controlling American soil,
Look around you, it's just bound to make you embarrassed.
Sheiks walkin' around like kings, wearing fancy jewels and nose rings,
Deciding America's future from Amsterdam and to Paris
And there's a slow, slow train comin' up around the bend.

it certainly didn’t help that McCain borrowed his phrasing from Herbert Hoover, who on Thursday, Oct. 24, 1929, just five days before the crash that would result in the deepest depression in world history, proclaimed, "The fundamental business of the country, that is, production and distribution of commodities, is on a sound and prosperous basis."
It’s the economy, stupid.

Dylanologists than the one made by Dylan himself during his election eve show in Minneapolis’ Northrop Auditorium:
Whether it’s changing his name, changing his musical direction, changing his religion—the man who famously opined, ‘he not busy being born is busy dying,’ has given birth to countless ‘Dylans’ over the last 40 years.

And while it’s not our cross to bear, one can only imagine that the moniker, ‘voice of a generation,’ carries a lot of weight. Certainly, it’s a burden Dylan’s been trying to free himself from his entire life.
or one of the 56,500,053 who voted for John McCain, at exactly 11:01 West Coast time the mood of a country changed. For a brief, fleeting moment, we were neither Republicans nor Democrats. Conservative nor Liberal. Right nor Left. Ideology evaporated, labels disappeared, color was washed away.
see us through the dark times that have befallen our nation—Dallas, Memphis, New Orleans, 9/11.


And while there are those who will dismiss this assessment of our next president as nothing more than bombastic hyperbole, there is no denying the fact that the press has anointed Barack Obama a modern-day political messiah— David to the world’s Goliath, the man who will save America, and in doing so, just may save the world.
Georgia turned the other cheek when 52 Americans were taken hostage in Iran. But in ‘doing the right thing’ Jimmy Carter let a ragtag band of religious zealots cast a stone that shattered America’s resolve for years to come. In 1992, America thought they had found a man who could transform a nation that had spent a decade teetering on the precipice of Babylonian excess. But instead of restoring our faith in our better angels, Bill Clinton succumbed to the temptations of the flesh and he, too, was banished.
people to his way of thinking. His opponents portrayed his philosophies as radical, even dangerous. But he triumphed over his adversaries, and wrote of his trials in a book he titled,
about standing on the ship’s bow and shouting that Pharaoh’s days are numbered. It’s not as black and white as that. There are larger factors at play. And when the history books are written, it will become apparent that the decision to cede the moral direction of a nation to a man about whom little is known but much has been entrusted was never our decision to make in the first place.